Music Videos Feat. Jackie Chan, Leung Kar-Yan, Conan Lee & More!

I made these a few weeks ago but haven't posted them up here, some new music video for your viewing pleasure!

Drink & Fight, Jackie Chan!

Battery Feat. Leung Kar-Yan!

Secret Agent Man Feat. Jimmy Wang Yu!

Ninja, Ready To Fight!

That's it for today, new review will be up tomorrow!

King of the Kickboxers (1990)

So this here will be my final review in my month long retrospective of the cult favourite that is the No Retreat, No Surrender series. Last week I posted a somewhat underwhelming review of No Retreat, No Surrender 3. That's because with each movie they become harder to endure due to the diminishing quality of each entry. It is hard to get through a movie some times that has absolutely horrendous acting and even worse plot lines but I've endured this long simply to share my views on the martial arts action and that's what we're all here for right? okay, then!

This week I'm sharing my thoughts on the last of Loren Avedon's entries in the series with King of the Kickboxers and its like that old saying, you always save the best for last. Well, that certainly is the case we have here. The film opens in Thailand where we see a Thai boxing competition, although you wouldn't know it was supposed to be Thai boxing when the fighters are using Tae Kwon Do techniques but hey who can tell the difference right? except maybe Kung Fu Cinephiles like myself and many others who love the genre.

Anyway, one of the fighters is Sean Donahue played by martial artist Michael Depasquale Jr who wins the competition much to the delight of his hyperactive younger brother Jake. On the way back from the arena, I say Arena it was really just one of those sweaty Thai boxing gyms you always see in movies like this, they are attacked by knife wielding thugs. Sean leaps into action with all the precision and grace action director Tony Leung Siu-Hung can muster and before long the movie's main villain, Khan played by Billy Blanks, shows up.

Yes, that Billy Blanks, the creator of the Tai Bo workout technique. Of course this was before he had developed that and was trying to find his feet in the movie industry as an actor. As you'd expect Sean and Khan tangle but Sean is no match for the grimacing warrior and is killed after getting kicked several times in the throat. Jake tries to fight him but hilariously gets his ass whooped and is left traumatized and physically scarred. Cut to ten years later where Jake has transformed into Loren Avedon and is an undercover police officer for the NYPD. Here we see he's the typical renegade cop who does whatever it takes to get the job done and blows his cover during a drug bust. Next we are treated to a very snappy and well paced fight with fellow martial arts movie actor Jerry Trimble. It's always great to see a guy like Trimble in action, such a shame that people like Trimble and Avedon and a few others never get the credit they obviously deserve.

Understandably Jake's boss is pissed but rather then suspend him and recommend him for psychological evaluation like any normal police captain would do after hearing one of his officer's disobeyed orders and brutally assaulted the assailants, he does what movie police captains always do. Ignore the whole thing ever happened and recommend him to Interpol for an operation to take down a snuff film ring that recruits martial artists and murders them on film. At first Jake refuses, as the job involves going to Thailand and the memories of his brother's death are still painful but after viewing some of the tapes, Jake realises the one committing the murders is Khan. So, after letting out an anguished scream which looks like he'd caught his testicles in something, he flies to Thailand undercover.

Upon arrival Jake tries to get noticed by picking on a local Thai boxing school. He beats up a couple of their students only to have one of them retaliate later, telling him that he's not good enough to take Khan. The student then suggests he find a fighter but the name of Prang (Keith Cooke, the guy who shamefully played Sub-Zero in Mortal Kombat Annihilation), the only man to almost beat Khan one on one and get some well needed training. At this point, the whole thing just became one huge rip off of the Van Damme movie Kickboxer. The only thing that really elevates this movie over that Van Damme one would be the action sequences. So, if you've seen Kickboxer then you can probably guess what the rest of the movie is going to be about.

Like the previous film, the action is choreographed by Tony Leung Siu-Hung, only instead of going for the hyper and gritty street fighting style, he's used a more exaggerated style that's very similar to Corey Yuen's work on the previous movies and suits the tone of the whole movie quite well. As I said Leung makes all the actors like fantastic when they start fighting. Avedon has never looked better, with each movie he got better and better as an action star and to this day Kickboxers has remained his magnum opus. To compliment Avedon, Blanks gets to show his stuff in the few fight scenes that he has. The finale set in a bamboo Thunderdome type arena shows two great fighters going against each other and just generally impressing the hell out this reviewer. It's funny, I've seen a couple other movies starring Blanks and Kickboxers is the only one were he's used effectively.

King of the Kickboxers, like the other entries in the series, is not a great movie when you talk about the plotting or the acting. What makes these movies stand out more then most are the fight scenes. Here you have guys like Corey Yuen and Tony Leung giving it their best and you would be hard pressed to find any other American martial arts movie of this period to top them all. If I had to choose one that was the overall best, then I definitely would have to go with number 3; Blood Brothers.

This is simply because I found the fighting to be better paced, tightly choreographed and excellently executed by the cast. So, there you have it, my retrospective is finally over. Now at this point, a few of you who might be reading this might be going "Aren't you missing something?" well, yeah, kind of.

You see, in 1991 a film made by the same crew was released called American Shaolin. Some view it as the fifth entry into the series and while I certainly wouldn't argue with that, I just simply don't have the stomach to watch Shaolin monks sing rock and roll and have the wherewithal to write a decent review about it. I may one day get round to it but for now my self inflicted torture that has been this retrospective will have to end so I can write about other movies, preferably Hong Kong action flicks which I'll be concentrating heavily on over the next few weeks. As well as working on new features for the blog itself, so rather then offer just review after review, I'll have other things on here that might interest my readers.

No Retreat, No Surrender 3: Blood Brothers (1990)

And the hits just keep on coming with part 3 of my retrospective of the cult movie franchise No Retreat, No Surrender. This week I'm reviewing part 3 subtitled Blood Brothers. Loren Avedon returns along side fellow martial artist Keith Vitali as two brothers Will(Avedon) and Casey(Vitali) who just can't seem to get along. Will spends his time teaching Karate and by teaching Karate I mean showing amazing displays of Tae Kwon Do and beating the living snot out of his students in an attempt to teach what it's like "on the streets" and Casey spends his time foiling bank robberies and sleeping with any leggy blonde unfortunate enough to fall into his line of sight. No, Casey isn't a superhero, he works for The Company, otherwise known as the CIA, I guess doing desk work gets dull after a while.

The reason these two don't get along is they represent two completely different ideologies of the human condition. Casey is the straight laced conservative fighting for truth, justice and the American way and strives hard to maintain social order in a world on the brink of war between the U.S. and Russia. Casey embodies the liberal spirit of modern society, who has cast off such stifling things as a boring office job and having a mortgage and expresses his freedom by training his body in the ancient form of martial combat. So when these two champions of opposing ideals meet they clash like thunder.

Actually, scratch everything I just wrote, I just added all that stuff and nonsense to make the film appear deep when actually it's less shallow then a half dried puddle. The reason these two whingey little sods don't get along is, well, I suppose it was just to make the movie and the characters more interesting when all it really does is make you want to reach into the screen, smack both of them round the lug hole and tell them to get over themselves. After meeting our fearless heroes we're treated to a scene in which they visit their father John (Joseph Campanella) to celebrate his birthday. Barely five minutes go by and the two brothers are at each other's throats like two hungry dogs fighting over a steak. At this point I didn't find these two characters at all likable. Avedon is certainly the better actor, while Vitali grits his teeth and his eyes bulge out like they're trying to escape his skull in an attempt to make it look like he's doing some serious acting. Yet all this conflict just didn't make them particularly endearing.

After the two storm off, John is left alone. Not long after that the bad guys or as I like to call them the Bad Hair Brigade, as they sport some of the most embarrassing hairstyles in the entire franchise, show up and rather then do the sensible thing and just shoot him in the back of the head, they decide to throw him round the house with some impressive stunt work. When Will and Casey find their deceased father, they decide to go their own way and get revenge on the people who saved John from the torture that is these two arguing.

Yes, I like to think his death is a mercy killing more then anything else. So, will the two of them get the bad guys and also make amends in time for the final reel? if you're really wondering that then I suggest you take your computer monitor (or laptop for those people on the go) and lightly tap the top of your skull no less then seven times, make it eight just to be safe.

NRNS 3 maintains the status quo of thin on plot and thick on action and boy it is thick on action. It's probably the most martial arts heavy of the series so far. After the second movie Corey Yuen moved on and the directing reigns were handed to Lucas Lowe but to maintain the snappy Hong Kong action style fight choreographer Tony Leung Siu-Hung was brought on board. Like it's previous entries the fighting is where the film shines the most. Leung fighting style is quite different to Corey Yuen's. While Yuen often has a fast paced but slightly exaggerated style to his scenes, Leung brings a much more dynamic and hard hitting street style that works in the actor's favours. Loren Avedon spent six hours a day for six months intensively preparing for the movie it really shows. His movements are less stiff and much more fluid and he has a heavier build that makes him look more of a dangerous adversary then he did in the previous movie.

He's paired well with co-star Keith Vitali who had appeared in classics like Revenge of the Ninja and Wheels on Meals by this time in his career, so he was already seasoned in the ways of movie making. Yet unlike Avedon he only spent a month preparing for the movie and ended up injuring his arm for his troubles, so for the whole movie Vitali has his hand in a cast but you barely notice it and it doesn't really effect his fighting. Anyone who may have seen Wheels on Meals may already know how good Vitali is and while NRNS3 doesn't quite show off his flair for screen fighting, it's definitely one of his better films that he made in his short screen career.

As for as the series goes NRNS3 has been the strongest entry thus far, the story is half-way decent but the acting stinks, I've said before Avedon is a decent actor but he over acts just a little bit sometimes and it gets a little grating. The action is by far the best I've seen and is further testament to the work of Tony Leung Siu-Hung, who is probably one of the more underrated action directors to work the action film genre.

So, that's all I've got to say on No Retreat, No Surrender 3, join me next week where I'll be reviewing the next instalment King of the Kickboxers.

No Retreat, No Surrender 2: Raging Thunder (1987)

Welcome to my second week in my retrospective of the No Retreat, No Surrender series. Today I'm reviewing the second entry No Retreat, No Surrender 2: Raging Thunder. After the huge success of the first one Seasonal films were quick to put together a sequel to capitalize on it's huge success. Both stars Kurt Mckinney and Jean-Claude Van Damme had signed on and a script and locations in Thailand had been put together.

Unfortunately days before cameras were set to roll Van-Damme dropped out of the film, feeling it would not further his career and went on to star in Kick Boxer, which propelled the Muscles from Brussels into super stardom. Strangely, Mckinney would soon follow, thus leaving the film without it's principle actors. Producer Roy Horan was then forced to find replacements. German martial artist Matthias Hues took the place of Van-Damme and American Tae Kwon Do expert Loren Avedon was given the leading role.

The film opens in the stormy fields of Vietnam, here we see a group of people tied to posts ready to be executed by the military, here we meet Ty played by none other then Hwang Jang Lee, we can tell he's the bad guy cos 1) his face is partially obscured by shadow and 2) he has a mean looking scar on his face and nothing says evil like a big facial scar. Suddenly he barks an order and they proceed to kill their prisoners, quite why he's executed these people is never made clear but it serves the purpose of just showing just how evil this guy is, I guess a little t-shirt saying "I'm The Bad Guy" would have been a too subtle.

Next we meet Scott Wylde (Avedon), a martial artist who travels to Thailand to visit his college sweet heart Sulin. After a romantic meal consisting of deep fried insects and Tiger testicles he whisks her away to his flop house hotel room for a Bond style love scene, complete with slow motion disrobing and cheesy music. That Scott is a classy guy. Not long after their torrid love making they are attacked by some thugs. Sulin is kidnapped and Scott is arrested by the local police for killing some of the attackers. After an awkward interrogation in which he was told to inexplicably jump or maybe shut up I couldn't tell, Roy Horan shows up and tells him to bugger off to Singapore and never set foot in Thailand again.

As he's about to be shoved into a plane, Scott escapes on a motorcycle which culminates in a jump over a spitfire that would make Evel Kienevel piss himself laughing from beyond the grave. Scott soon finds out Sulin's kidnappers are involved with the Vietnamese army and Russian military, sadly I can't recall why these two armies had joined forces or why they kidnapped her but it's not all that integral to the movie. Scott then enlists the help of wise cracking Vietnam veteran Mac Jarvis (Max Thayer) and the hot tempered fighter Terry (Cynthia Rothrock) to go with him to Cambodia to rescue his girl and take down the bad guys.

So, yeah, the plot is very different to the Karate Kid cloning of the original, it seems that the producers were eager to push the series further and give the audience more bang for their buck. It's also obvious that Rambo II was a huge influence, with it's exotic locations and bombastic action sequences. There's a lot of martial arts action but there's also a few good gun fights thrown in which gives the film a really wild over the top tone. Corey Yuen returned for directing duties so as you'd expect the action is really solid for the most part.

I mentioned previously he really knows how to make people look good when their fighting, he has this incredible knack for being able to play to the actor's strengths and NRNS2 is a fine example of this. Avedon is a good martial artist, he looks good when he's throwing kicks and he handles himself well in the numerous action scenes he's in, Yuen choreographs his action that plays to Avedon's strengths really well. He's also not that bad an actor, growing up he starred in TV commercials and had a few bit parts in low budget action flicks but NRNS2 was his first full leading role, he may have been a little rough around the edges in the drama department but with a lot more exposure and some sure fire hits under his belt he could well have been a big a star as Van Damme and Seagal. It's just a shame that he never really got the recognition he really deserves.

He plays well off his co-stars Thayer and Rothrock. Thayer plays Mac with just the right level of world weariness that makes him likeable and Rothrock does well enough but it's when she's fighting she shines the most. By this time in her career she'd already made a name for herself in Hong Kong with appearances in Yes, Madam!, The Magic Crystal and Righting Wrongs so it was a natural for her to make the progression to American movies and this wasn't a bad place to start. She shares the distinction of having the one and only fight scene featuring Hwang Jang Lee (I should mention this film contains the only scene were he speaks English in a movie) and while the choreography itself is not as great as you'd expect it to be, it's a good opportunity to see these two action legends go toe to toe.

The finale has Avedon and Hues go at it and it's just as over the top as you'd expect. Matthias Hues is a large man, he towers over Avedon and when you get a heavily built man like Hues doing the action, it can come off as a bit awkward and it does a couple times but Yuen does a good enough job of hiding it and the choreography works in both actors favours. No Retreat, No Surrender 2 is a solid action flick and is definitely worth seeing as it gives a great debut from Avedon and as I said, the rare opportunity to see Rothrock and Lee fight each other.

Tune in next week for my review of Part 3 Blood Brothers!

No Retreat, No Surrender (1986)

In 1984, the seminal coming of age martial arts film The Karate Kid was released and was a huge success, with it's combination of spirituality, nicely choreographed action and memorable performances, the film made over $90 Million worldwide, making it a massive success. Unsurprisingly, film makers were quick to cash in. In 1986 Seasonal Films, mostly known for producing Jackie Chan's Snake in the Eagle's Shadow and Drunken Master, released their own spin on The Karate Kid formula with No Retreat, No Surrender.

Kurt Mckinney plays Jake Stillwell, a Karate practitioner who idolises Bruce Lee and hopes one day to reach the same level as the Martial Arts legend. After his father is injured in a fight with some local criminals, they move to Seattle to start a new life. Jake ends up butting heads with some members of a local Karate Dojo, so he starts training intensively (With the spiritual guidance of Bruce Lee no less) in hopes of becoming a Karate Master.

So, yeah, the film pretty much follows the story of The Karate Kid almost beat for beat, so much so that's kind of distracting as I found myself comparing the two throughout. It goes without saying Karate Kid is definitely the better movie because quite frankly No Retreat, No Surrender is a bad movie, really bad in fact. That mostly has a lot to do with the acting which is just down right awful. This was lead actor's Kurt McKinney's first acting role and it shows, when he gets angry, he gets really angry, he screams and shouts and throws his arms around like a three year old throwing a tantrum and it's just too damn funny most of the time. It's obvious they were trying to go for drama but the awful dialogue and bad acting performances just turn the film into a completely unintentional comedy.

Funny thing is, the movie does try to throw some humour in now and again, this is given to us in the form of Jake's best friend the skateboarding, break dancing, rapping RJ played by played by J.W. Fails and boy does he live up to his name. He comes off as Philip Michael Thomas' talentless, annoying and slightly retarded younger brother who has the strange ability of turning into a short, floppy haired Chinese man whenever he does any acrobatic stunts, you can tell he's having fun being around and making the movie but it doesn't really help his acting ability.

Familiar plot lines and annoying supporting characters aside, the films does offer up some decent action. Directed by Corey Yuen and choreographed by Meng Hoi, the fighting is the typical stylised hyped up kick boxing style that had become popular in Hong Kong action movies of this period. What I love about Corey Yuen as both a director and a choreographer is that he has this natural talent of making anyone look good when they fight on screen. Even someone as stiff as Mckinney, who is an accomplished martial artist, comes off looking like a total bad ass in the finale against a young Jean-Claude Van Damme, who plays the movie's main villain, Russian Kick-boxer Ivan. Rocky IV had been a massive box-office hit the year before and evil Russians had become the stock villain during the 80's due to the cold war so it was an obvious ploy in order to make the film appeal to the audience. I can honestly say I've never seen Van Damme look better when he's fighting. Even in his more well know movies such as Kickboxer and Bloodsport, he's fast, his kicks are solid and accurate and he looks deadly.

Now, let's move onto a section of the film which people often talk about. After having his ass handed to him by another Karate fighter, Jake pleads at the grave of Bruce Lee to help him become a better martial artist. Oddly enough, his prayers are answered when Bruce Lee's ghost appears and helps train Jake. Bruce is played by Kim Tai-Chung, who had portrayed Lee before in Game of Death and Game of Death 2. Kim's performance is decent, he has the mannerisms pretty much down and he looks good when he throws the odd kick but the whole sequence just comes of really odd and maybe just a exploitative of Lee's memory, especially when he's spouting a load of convoluted guff as if he's reciting a really badly put together cliff notes version of Tao of Jeet Kune Do.

No Retreat, No Surrender isn't a great film, what we have is just downright awful but for some really odd reason it was a decent hit at the box office. The film cost $400,000 to produce and would go on to gross $16,500,000 worldwide, so given it's success, a number of sequels would follow. All of which I am going to review over the next few weeks. Why have I decided to submit myself to such cinematic torture? I really don't know but this is first and foremost a martial arts movie blog so I'm willing to subject myself to hackneyed stories, embarrassing acting and cheesy dialogue all for the sake of reporting to you, my faithful readers, the martial arts action contained within.

Now if only I could find a way to get paid for this sort of thing.